5th June 2017
On Saturday, the Munich Philharmonic’s performance of the “Adagietto” under Semyon Bychkov was neither cloyingly sentimental nor without emotion, neither too fast nor too slow. Mahler’s Fifth Symphony starts with a funeral March, before striking a more light-hearted tone. Bychkov and the Philharmonic Orchestra maintained the musical tension by succeeding in, what in this Symphony, resembles the squaring of the circle. And so the Finale started with a quick splash, before embarking on a long and noisy journey.
30th May 2017
When the conductor Semyon Bychkov was asked to record the complete symphonic works of Pyotr Ilyich Tchaikovsky with the Czech Philharmonic for the Decca label, he did not take too long to think it over. The orchestra’s unique sound and the modesty of its players sparked a desire for collaboration in this great expert on Tchaikovsky’s music.
Read the full interview here
29th May 2017
Romantic music from Russia and France was on the programme for Friday evening’s concert when Semyon Bychkov joined the Munich Philharmonic in a tightly packed Gasteig. And, despite the cancellation of pianist Jean-Yves Thibaudet, neither orchestra nor conductor had to worry about the high quality of his colleague, Kirill Gerstein. The American Gerstein, who was born in Russia, opted to play the second version of Tchaikovsky’s Piano Concerto No. 1 rather than the more usually performed third edition, although you would hardly have known without looking at the score.
The soloist excelled in both the rich, full-bodied, virtuosic outer movements, as well as in the delicate, perfumed passages of the pastoral Andantino with its floating waltz delicately colored by the woodwinds.
In the rhythmically charged finale, Bychkov led both soloist and spirited orchestra in impressive decibel-charged surges, which Gerstein contrasted with lyrical reminiscences and sparkling runs.
The Philharmonic also made a strong impression in Hector Berlioz’ “Symphonie fantastique”. Drawing a spellbinding arc from the lavish orchestration, Bychkov illuminated the individual themes, embellishing them with instrumental colours, giving them a softness that allowed the audience to hear for themselves the Reveries and Passions, The Ball, The Scene in the Fields, the March to the Scaffold, and the Dream of the Night of the Sabbath. Berlioz’s “Idée fixe” and the inspiration for this wonderful work was a beautiful woman, which Bychkov highlighted time and again with individual instruments. The exquisite woodwinds were heard as well as the ardent strings, the gleaming brass, the harps and the very much used percussion. Great ovation.
29th May 2017
The 2017 Ravenna Festival’s symphonic programme could not have started in a better way. Great music. With two very well-known compositions by Tchaikovsky and Berlioz. The great interpreters were the Munich Philharmonic with the Russian Maestro Semyon Bychkov and an excellent Kirill Gerstein at the piano. And finally, a great public, who last night clapped and showed their enthusiasm for a wonderful evening of music.
The opening concert was entrusted to one of the most prominent orchestral conductors on the international scene: Semyon Bychkov, the Russian maestro who was last at the Festival in 2015, and who combines the expressive pathos of his country of birth […] with the strict clarity of a technique matured on the podiums of the most important orchestras in the world.